Sunday, 24 January 2010

BBC DRM

So the BBC has asked Ofcom to allow DRM on HD material. Why? Because they do not have enough HD material or planned resources to fill the broadcast time at the start of their new HD TV broadcasting.... and have to buy interesting stuff from studios, who in turn insist on DRM to protect their "rights" (or restrict mine).

And Ofcom is thinking to allow them to do it! Right against their charter of being an open public broadcaster.

So, the BBC is no longer a "public broadcaster"?

So, we may think to not have to pay our licence fee? This all starts to sound like Sky TV/Cable business model start-up.

So, DRM and new HD content is to be only available on different hardware devices that I have to buy, as they introduce yet again another technology which is not compatible with the one that everyone has got already.

So, a few manufacturers will now be "licenced" to make the decoders, and we will have to replace all our Freeview boxes and Freesat boxes with another generation of boxes. Sounds like collusion to me Studios + BBC + Box makers + LCD TVs all scratching each others back.

The introduction of DRM is an ongoing theme in media distribution, first in music: the CD has no DRM, but as soon as higher quality music is demanded (HD Audio on disk and download) the labels insist on DRM (the SACD and the DVD-Audio disk and any HD Audio downloads) - at least for music it is not working and DRMed material is not being purchased by consumers. But the same is happening for video, first the Blu-ray disk and now HD TV with DRM. This is an assault on our rights. I have the right to view and resell media I have purchased, DRM stops me doing that. I have the right to play the media on any device I have purchased, DRM stops me doing that (copyright might also, but the DRM is used just to more finely grade the copyright).

So, why doesn't the BBC stand up to the studios and say no to their DRM. Several others are doing just this. Studios and Labels cannot continue to live in the old industrial-age and control the channels of distribution, they have to move to the internet age where information travels freely. I am not supporting file sharing, or breaking copyright, but artists have to be paid in a different way, not via vast media moguls. I believe that the studios and the BBC have to create a new business model that acknowledges the dis-aggregation of the internet. The issue is similar to what is happening in the music and publishing industries, and now its hitting TV.

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